One of the best perks of writing historical mysteries is the
research! I am a library junkie, and
love spending time digging through dusty old books in search of just the right
historical detail. (Of course, this also
means sometimes it's hard for me to stop researching and actually, y'know, use
the research in writing!). Travel is
also a fun way to immerse myself in a period, to imagine how my characters
might have actually lived in Elizabethan times.
Murder at Fontainebleau uses a sense of place even more than
other stories I've written. We glimpse
two palaces in the story, one the is long demolished and one that still exists
to be toured, and they were a perfect example of the differences between
English and French life in the 16th century, which Kate Haywood
discovers for herself when she's sent to Fontainebleau on a mission for Queen
The English palace, Greenwich (above), was originally built in 1433 by
Humphrey, Duke of Gloucester, a brother of Henry V. It was a convenient spot
for a castle, 5 miles from London and Thames-side, and was popular with
subsequent rulers, especially Henry VIII. His father, Henry VII, remodeled the
place extensively between 1498-1504 (after dispatching the previous occupant,
Dowager Queen Elizabeth, to a convent). The new design was after the trendy
“Burgundian” model, with the facade refaced in red Burgundian brick. Though the
royal apartments were still in the “donjon” style (i.e. stacked rooms atop
rooms), there were no moats or fortifications. It was built around 3
courtyards, with the royal apartments overlooking the river and many fabulous
gardens and mazes, fountains and lawns.
At the east side of the palace lay the chapel; to the west the
privy kitchen. Next door was the church of he Observant Friars of St. Francis,
built in 1482 and connected to the palace by a gallery. This was the favorite
church of Katherine of Aragon, who wanted one day to be buried there (of
course, that didn’t turn out quite as she planned…)
Though there are paintings and drawings of the exterior, not
much is known of the interior decorations. The Great Hall was said to have roof
timbers painted with yellow ochre, and the floors were wood, usually oak (some
painted to look like marble). The ceilings were flat, with moulded fretwork and
lavish gilding, embellished with badges and heraldic devices (often Katherine’s
pomegranates and Henry’s roses). The furniture was probably typical of the era,
carved dark wood chairs (often an X-frame design) and tables, benches and trunks.
Wool or velvet rugs were on the floors of the royal apartments only, but they
could also be found on tables, cupboards, and walls. Elaborate tiered buffets
showed off gold and silver plate, and treasures like an gold salt cellar
engraved with the initials “K and H” and enameled with red roses.
It was a royal residence through the reign of Charles I
(1625-49), but under the Commonwealth the state apartments were made into
stables, and the palace decayed. In 1662, Charles II demolished most of the
remains and built a new palace on the site (this later became the Royal Naval
College), and landscaped Greenwich Park. The Tudor Great Hall survived until
1866, and the chapel (used for storage) until the late 19th century. Apart from
the undercroft (built by James I in 1606) and one of Henry VIII’s
reservoir buildings of 1515, nothing of the original survives.
Fontainebleau (above), on the other hand, can be seen in much the state
Francois I left it in. On February 24, 1525 there was the battle of Pavia, the
worst French defeat since Agincourt. Many nobles were dead, and king was the
prisoner of the Holy Roman Emperor in Madrid. He was released in May, but only
at the price of exchanging his sons (Dauphin Francois and Henri, duc d’Orleans)
for his own freedom. In May 1526, Francois created the League of Cognac with
Venice, Florence, the Papacy, the Sforzas of Milan, and Henry VIII to “ensure
the security of Christendom and the establishment of a true and lasting peace.”
(Ha!!) This led to the visit of the delegation in 1527, seeking a treaty of
alliance with England and the betrothal of Princess Mary and the duc d’Orleans.
After his return from Madrid, Francois was not idle. Aside from
plotting alliances, he started decorating. Having finished Chambord, he turned
to Fontainebleau, which he loved for its 17,000 hectares of fine hunting land.
All that remained of the original 12th century castle was a single tower.
Francois built new ballrooms, galleries, and a chapel, and called in Italian
artists like Fiorentino, Primaticcio, and Vignola to decorate them in lavish
style (some of their work can still be seen in the frescoes of the Gallery of
Francois I and the bedchamber of the king’s mistress the duchesse d’Etampes).
The marble halls were filled with artworks, gold and silver ornaments, and fine
tapestries. Unlike Greenwich, this palace was high and light, filled with
sunlight that sparkled on the giltwork.
I know it’s hard to comment on a research-type post, but I’m
curious–after reading about both palaces, which would you prefer to live in?
(I’m torn, but I lean toward Fontainebleau, just because I was so awestruck
when I visited!). Where would you like to see a book set?